The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code. In 3 digit dates code, the 1st digit is the last digit of the year. On 4 digits date codes, the 1st and 2nd digits are the last two digits of the year.
They could easily have been sold as new amps for several years after this, so someone who claims they or someone they know bought one new in could easily be telling the truth. A dealer with a storefront on ebay recently claimed to have found a NOS new, old stock Kalamazoo with cover in the store’s attic; the amp in the photos looked like it came out of a time capsule so I have no reason to doubt them.
Construction The chassis is thin steel, but plenty strong for a practice amp, and they held up well on the road. The biggest problems are the cabinet, made of fabric covered particle board and the baffle, made of thin pressboard. Even these holds up well if the amp isn’t abused too badly.
Velvet Black is dedicated to the remembrance of those old bass and guitar amplifiers, designed by Peter Traynor, and manufactured by Yorkville Ltd. in Toronto/Canada, between and
Martin will see you now, Dakota! The love birds were also seen grabbing dinner with the singer at Yam Sheva restaurant in Herzliya. Thankfully, a source has since gone on the record to confirm the romance between the 50 Shades Of Grey actress and the Coldplay frontman. An Us Weekly insider spilled: They’ve gotten to know each other really well and are very comfortable from one another.
Chris sends Dakota his music to get her opinion. It’s more than just a fling. On the couple’s dinner date with Cave, an eyewitness shared with the mag: It was a surprise. They sat with Nick Cave too. I didn’t see them kiss or hold hands or anything like that. They ordered some starters and not a lot of food. Grey would be so disappointed to learn this.
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They had one known son, Aelfgar. Since the name was a popular one, there are contemporaries of the same name. Both Leofric and Godiva were generous benefactors to religious houses. In Leofric founded and endowed a Benedictine monastery at Coventry  on the site of a nunnery destroyed by the Danes in Writing in the 12th century, Roger of Wendover credits Godiva as the persuasive force behind this act. In the s, her name is coupled with that of her husband on a grant of land to the monastery of St.
The church there has a 20th-century stained glass window representing them. However, this charter is considered spurious by many historians. See Lucy of Bolingbroke. After Leofric’s death in , his widow lived on until sometime between the Norman Conquest of and She is mentioned in the Domesday survey as one of the few Anglo-Saxons and the only woman to remain a major landholder shortly after the conquest. By the time of this great survey in , Godiva had died, but her former lands are listed, although now held by others.
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Fender Amps: The First Fifty Years [John Teagle, John Sprung] on *FREE* shipping on qualifying offers. Authorized by Fender and researched by industry veterans, this book covers the company’s entire amp line-age from Leo Fender’s first K&F amp in to today’s Custom Shop line. Includes detailed model features.
Tweet on Twitter Ca. Among the major players in the American market were the many importers and distributors who enriched the guitar landscape with instruments — usually at the lower ends of the market brought in from other countries, primarily from Europe, Asia, and to a lesser extent, Latin America. The analogy with automobiles is obvious. Univox was one of the first brands to make copies, and the brand achieved a fair amount of national visibility and distribution.
Univox was not, as you might guess, just another isolated Japanese import, but was part of a much larger story of its importer, the Merson company. Unfortunately, not many reference materials are available to document in complete detail, but we can hit some of the highlights, and illuminate a number of relationships along the way.
If you have catalogs, ads or pictures of guitars that can help fill in some of the blanks, please let me know Michael Wright, PO Box , Philadelphia, PA
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Thus, for a given amp say, the 5E1 Tweed Champ they started with a definite number, in this case C , and just kept adding ‘1’ for each new Tweed Champ until the model was discontinued – in this case approximately C nine years later info from Greg Gagliano. So that’s about, oooh, let’s guess, 23, Tweed Champs. Some serial numbers were used more than once, on different amp types – example; A could be a Bandmaster, a Bassman, a Champ, a Concert, or a Deluxe info from Greg again.
Dane Cook and his girlfriend are still going strong. Cook, 45, and his girlfriend Kelsi Taylor, 19, were spotted packing on the PDA during a sun-filled trip to Maui, where the couple has been.
Tips and How-To’s Marshall amplifiers made hard rock possible. While Fender and Vox amps have their place in moving electrified guitar forward, the creations of Jim Marshall fostered an entirely new sound and allowed guitarists to fill stadiums with it. Marshall amps had such precedent-setting wattage and tone that their history can hardly be separated from the history of rock itself.
We recently wrote an article detailing that rich history which you can read here , but for those simply looking to figure out how old their Marshall amp is, we offer this shortcut. The guide below will help you quickly and clearly date Marshall amps and cabinets, without us waxing poetic about their influence. Click here to skip directly to information on Marshall serial numbers.
The result is an Amplified Bible that is easier to read and better than ever to study and understand. The Amplified Bible of includes more amplification in the Old Testament and refined amplification in the New Testament. Additionally, the Bible text has been improved to read smoothly with or without amplifications, so that the text may be read either way.
The same feel and style of amplification has been maintained, so that those who read the classic Amplified Bible will be able to easily transition to the new text. Its goal was to take both word meaning and context into account to accurately translate the original text from one language into another.
The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate. The bad news is that there is still a lot of work that needs to be done on the silverface amps.
Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author. His passing is a great loss to this research team and the Fender amp aficionado community in general. Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much.
Paul Linden has volunteered to fill in for Greg. Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps. Since , more interesting factoids of interest have surfaced and are presented here.
Not all features are options are listed here; this is just a quick-reference guide. Solid State or Tube? Early Carvin amplifiers like all other amps of the era were tube-drive models, in combo configurations with 1, 2 or 4 speakers. These early models were designed for use with pretty much any electric instrument, and generally had multiple channels for instruments as well as microphones.
Most of these amps used the standard 6L6’s and 12AX7’s, as well as a few others depending on the model.
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I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.
For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes.